And you thought taxified Harry Potter titles were an unholy nerd alliance? As it turns out (from SMH) Amazon, who sell the Kindle and the e-books that are read on it, made a booboo. It turns out that they were selling books by George Orwell (like 1984), but after they were sold and downloaded to individuals' Kindle, it turned out they didn't have the rights to do so, and Amazon apparently snuck in, and deleted the e-books from everyone's Kindles and refunded the money, without decent notification.
Enter MAKE, a print and online magazine dedicated to DIY and lots of cool nerd stuff like electronics. For example, there are LOTS of Wiimote hacks on Make. KipKay, a popular online DIYer regularly makes videos for MAKE. Very cool - for example:
Anyway, it seems MAKE have published (through their blog) a "workaround" in order to get the Orwellian books back on the Kindle. "How?" you ask? One word, "copyright". In Australia, Orwell's books have entered the Public Domain because copyright in Australia (for literary works anyway) is life of author plus 50 years. In the US (where Amazon wasn't allowed to sell the books) the term is life of author plus 70 years. Nothing quite like a bit of copyright arbitrage. Of course, you actually HAVE to be in Australia to download the book (from an Aussie Uni site). A US resident will probably still be infringing copyright if they carry out the workaround unless they're in Australia.
Read the MAKE "workaround" here.
Saturday, July 25, 2009
Thursday, July 23, 2009
The Lazy Susan Code of Conduct
For those unaware, myself and others have authored the "Principles of Yum Cha", otherwise known as 'The Yum-Charter". Principle 23 refers to the 'Lazy Susan Code of Conduct'.
Here it is, a living document, if you will:
The Lazy Susan Code of Conduct
1. Subject to the below clauses, the Lazy Susan ('LS') shall be revolved as fast as is necessary to eat Yum Cha.
2. If someone is retrieving a dim sim from the LS, you shall not revolve the LS to the extent that the retriever has difficulty retrieving the dim sim.
3. As a matter of best practice, you shall wait until the retriever has retrieved their dim sim before revolving the LS.
4. Chilli sauce saucers shall be distributed evenly on the LS.
5. Depending on circumstances, empty bamboo baskets shall be placed in the centre of the LS, OR on a part of the table close to trolley traffic.
6. The LS shall not be spun so fast as to cause any objects on the LS to move, or any sauce in saucers on the LS to spill.
Any others that should be there?
Censordyne and the Parody/Satire Exception
In case you haven't already noticed, the independent political campaigning group GetUp! have launched a TV ad against the Australian Governments plans for mandatory ISP level filtering of the Internet. They use the likness of the packaging for Sensodyne toothpaste and have called it Censordyne "good, clean, internet censorship".
SMH story here.
Apparently, GlaxoSmithKlein (owner of Sensodyne), is not a fan of GetUp's use of the likeness of the toothpaste brand. They are even thinking of legal action, as they weren't consulted about the use of the brand.
The first thing I think of is the parody and satire exception to copyright infringement in section 41A of the Copyright Act 1968. Basically, you can reproduce a substantial part of a work, and avoid infringement if:
* it is for the purpose of parody or satire; and
* it is a fair dealing
I suppose the question is, (and I couldn't find anything in the Explanatory Memorandum in the amending Act which introduced s41A):
Does the parody have to be a poking fun at the thing being reproduced? That is, does the exception only apply if GetUp were in fact poking fun at the toothpaste rather than something else like a Government policy?
If you remembered the anti-ads by the Footy Show, those were poking fun at the ads themselves, so it's an obvious parody. But if you are using a toothpaste brand to poke fun at policy, is that covered by the exception?
Then you have to consider the satire part of the exception. The Australian Copyright Council (fact sheet G083v03) makes a distinction between parody and satire, and regards the satire exception to be more strict in the sense that more elements have to be present before one can regard it as "satire".
Food for thought.
SMH story here.
Apparently, GlaxoSmithKlein (owner of Sensodyne), is not a fan of GetUp's use of the likeness of the toothpaste brand. They are even thinking of legal action, as they weren't consulted about the use of the brand.
The first thing I think of is the parody and satire exception to copyright infringement in section 41A of the Copyright Act 1968. Basically, you can reproduce a substantial part of a work, and avoid infringement if:
* it is for the purpose of parody or satire; and
* it is a fair dealing
I suppose the question is, (and I couldn't find anything in the Explanatory Memorandum in the amending Act which introduced s41A):
Does the parody have to be a poking fun at the thing being reproduced? That is, does the exception only apply if GetUp were in fact poking fun at the toothpaste rather than something else like a Government policy?
If you remembered the anti-ads by the Footy Show, those were poking fun at the ads themselves, so it's an obvious parody. But if you are using a toothpaste brand to poke fun at policy, is that covered by the exception?
Then you have to consider the satire part of the exception. The Australian Copyright Council (fact sheet G083v03) makes a distinction between parody and satire, and regards the satire exception to be more strict in the sense that more elements have to be present before one can regard it as "satire".
Food for thought.
Wednesday, July 22, 2009
Harry Potter: the taxified version
My colleagues asked me the other day whether I had read any Harry Potter books. I didn't, not because I don't like Harry Potter, but because I generally read non-fiction books. I speculated, however, whether I would be more willing to read Harry Potter if the titles were something like "Harry Potter and the Tax Act".
We then sought to "taxify" the titles of the Harry Potter books. I don't know how to write "markup style" text, so I've done it in Word, and made it a PNG file. Here are the results: (the blue text was written by me afterwards, so I take responsibilty for the lameness of the sub-titles).
We then sought to "taxify" the titles of the Harry Potter books. I don't know how to write "markup style" text, so I've done it in Word, and made it a PNG file. Here are the results: (the blue text was written by me afterwards, so I take responsibilty for the lameness of the sub-titles).
Monday, July 20, 2009
P2P - a legit business model?
Let's face it, P2P file-sharing arguably presents the biggest leakage to copyright revenue for traditional professional content, like music, movies and computer games. In Australia, iiNet is being sued by Roadshow Films (with backing from AFACT). Case ref: [2009] FCA 332.
Roadshow alleges:
* by a user making available a movie file via BitTorrent, the user is making the movie available to the public, thus infringing the "right to communicate to the public".
* by downloading a copy of the film onto their computer, the user has infringing the "reproduction right".
* by providing the facilities for this infringement, iiNet has authorised the infringement, which is an act of infringement itself.
So, in this case, the copyright holder (Roadshow) is probably sick of chasing down each and every infringer (the evidence submitted indicated that Roadshow had enough information to identify the infringers but wanted iiNet to do something about it [i.e. disconnect them]), and wants the ISP to take action, and failing that, the copyright holders takes action against the ISP.
Meanwhile, on the otherside of the world, The Pirate Bay is trying to get a legit business model up and running supporting the P2P method of file sharing.
SMH report here.
If this Pirate Bay thing works out (which in my pessimistic mind, it won't), maybe everyone around the world, including Australia and New Zealand can stop worrying about the "three-strikes and you're disconnected" idea that's been floating around for a while now. New Zealand tried it, and had to pike after a public outcry.
Story stub here.
(I love this site, they've disabled selecting text, it's a copyright holders site, how funny!)
Roadshow alleges:
* by a user making available a movie file via BitTorrent, the user is making the movie available to the public, thus infringing the "right to communicate to the public".
* by downloading a copy of the film onto their computer, the user has infringing the "reproduction right".
* by providing the facilities for this infringement, iiNet has authorised the infringement, which is an act of infringement itself.
So, in this case, the copyright holder (Roadshow) is probably sick of chasing down each and every infringer (the evidence submitted indicated that Roadshow had enough information to identify the infringers but wanted iiNet to do something about it [i.e. disconnect them]), and wants the ISP to take action, and failing that, the copyright holders takes action against the ISP.
Meanwhile, on the otherside of the world, The Pirate Bay is trying to get a legit business model up and running supporting the P2P method of file sharing.
SMH report here.
If this Pirate Bay thing works out (which in my pessimistic mind, it won't), maybe everyone around the world, including Australia and New Zealand can stop worrying about the "three-strikes and you're disconnected" idea that's been floating around for a while now. New Zealand tried it, and had to pike after a public outcry.
Story stub here.
(I love this site, they've disabled selecting text, it's a copyright holders site, how funny!)
Someone got causation and correlation mixed up again!
SMH reports that a visiting US professor reckons that KRudd's computers in homes strategy maybe counter productive.
SMH report here.
The report essentially says that "Yes, kids with computers at home tend to do better at school, that is, there is a CORRELATION between home computers and academic achievement." BUT the more important qualifier is that computers at home do not CAUSE kids to do better academically.
That is, a child might do better academically because their PARENTS are more educated or more well off, and these parents are also likely to have a computer at home. That is, A and B (academic achievement and computers) are caused by C (parents' background). Not B causes A.
Therefore, if you simply introduce B into a house (computers), it may not affect C (parents) who are ultimately the main cause of academic achievement (A).
This is exactly the thing that happened a while back in the US. According to Freakonomics (the book, not the blog), some President promised free books in the homes of every school kid because studies had shown that academic achievers at school tended to have more books at home. What the study didn't show was that the achievement may have been due to the parents' educational background. It was this background which caused both the child's academic achievement, and the number of books in the house.
Surprise, surprise, when the books arrived, nothing happened, because books don't cause academic achievement.
So, will the same thing happen with free or taxpayer subsidised computers in Aussie homes? Professor Vigdor says that in North Carolina, the introduction of computers actually made the results of some school students "significantly worse."
Are we ready for a taxpayer funded education devolution?
SMH report here.
The report essentially says that "Yes, kids with computers at home tend to do better at school, that is, there is a CORRELATION between home computers and academic achievement." BUT the more important qualifier is that computers at home do not CAUSE kids to do better academically.
That is, a child might do better academically because their PARENTS are more educated or more well off, and these parents are also likely to have a computer at home. That is, A and B (academic achievement and computers) are caused by C (parents' background). Not B causes A.
Therefore, if you simply introduce B into a house (computers), it may not affect C (parents) who are ultimately the main cause of academic achievement (A).
This is exactly the thing that happened a while back in the US. According to Freakonomics (the book, not the blog), some President promised free books in the homes of every school kid because studies had shown that academic achievers at school tended to have more books at home. What the study didn't show was that the achievement may have been due to the parents' educational background. It was this background which caused both the child's academic achievement, and the number of books in the house.
Surprise, surprise, when the books arrived, nothing happened, because books don't cause academic achievement.
So, will the same thing happen with free or taxpayer subsidised computers in Aussie homes? Professor Vigdor says that in North Carolina, the introduction of computers actually made the results of some school students "significantly worse."
Are we ready for a taxpayer funded education devolution?
Tuesday, July 07, 2009
A random thought about DRM
DRM is Digital Rights Management. It is the technology implemented by content creators and distributors which technologically enforce the limits of rights granted to the licensee.
Sometimes you can get content without DRM. For example, if I buy a CD from JB Hi-Fi, the licence would mean I could play it at home, but not publicly. I would also be not permitted to copy this CD (the right to reproduce is 'reserved' by the artist or the recording studio etc). According to copyright law (sect 109A Copyright Act 1968), however, I CAN (no matter what the recording studio says) rip the CD to my computer (thus converting it from PCM to MP3), and transferring it to my iPod.
Furthermore, despite the restrictions described by the licence (for example, not being allowed to make 100 copies to give to my friends), there is nothing physically stopping me from doing it.
This is content without DRM. The licence and the law say you can and can't do certain things. Physically, though, (whether legally or illegally) I can do anything I want with it.
Enter DRM:
For example, say I buy a song from iTunes, and the licence to that song says that I (the licensee) can:
* play this song on 5 authorised computers, and
* play this on iPods registered to me
* burn this song to CD 3 times.
Once I burn the song onto CD 3 times, it will no longer burn to another CD. iTunes will recognise what's already happened to the song and prevent the burning. Furthermore, if I email the M4A song file to a friend, he won't be able to play the song (which MUST be iTunes) until he enters my username and password, thus authorising his computer in my name. Again, the file itself, in combination with the player (iTunes) actually physically control what I can do with the file. That is, the DRM technology physically limits which I can do in accordance with the licence.
In this sense, the licence and the law say what I can and can't do, and the DRM controls what I can and can't do in accordance with the licence (even if the law says I might be allowed to do something else beyond the licence permissions).
My question is, why bother with DRM? Isn't the law and licensing enough to protect the interests of copyright holders? Aren't all consumers law abiding citizens? Okay, maybe not. In acknowledging and conceding that THE LAW AND LICENCE IS NOT ENOUGH to guide the behaviour of some consumers (i.e. the 'pirates' argh), copyright holders implement measures (DRM) to physically (rather than legally) 'guide' the behaviour of those consumers.
DRM measures are now protected by law. Section 116AN will treat someone who circumvents a technological protection measure (TPM, the legal, generic reference to DRM) as if they had infringed the copyright holder's rights (e.g. copying etc).
But my question is, why bother protecting DRM with law? Law and licence doesn't guide the behaviour of pirates. That's why we have DRM in the first place. So it seems logical to assume that pirates aren't going to have regard to the law when it comes to circumventing a TPM. If an iTunes song holder wants to burn a 4th CD of the song, they'll just rip one of the CD's they burnt before. Burnt CD's are DRM free (just like the ones from JB Hi-Fi).
So why have a legal regime (s116AN/TPMs) designed to protect a technological regime (DRM) designed to protect another legal regime (copyright licenses and statutory exceptions), when pirates don't respect the copyright licencing regime in the first place?
This seems silly to me, and this is without even considering the fact that DRM has the potential to:
* stifle innovation
* restrict competition (iTunes and iPod are dominant for more reasons than the style of the iPod)
* prevent a consumer from exercising their extra-licence fair use/dealing statutory rights.
What are your thoughts? It seems to me that the marketplace is in need of another regime to protect the rights of copyright holders, without making life supremely difficult for everyone else (whilst at the same time undermining the respect people have for the law)**.
** According to the Australian Copyright Councils Information Sheet G25 TV and Radio: home taping ("time-shifting"):
Q: Can I record programs that I'm watching or listening to so that I can enjoy them again later?
A: NO, You can only record programs that you are NOT watching or listening to. This is because the new time-shift provision says that you can only make the recording in order to watch it or listen to it "at a time more convenient than the time when the broadcast is made" Section 111.
I wonder what happens if I decide to record NCIS tonight on tape, and instead of changing channels or going to bed, I decide to watch the first 5 minutes while it's recording and then go to bed. Uh oh....
Sometimes you can get content without DRM. For example, if I buy a CD from JB Hi-Fi, the licence would mean I could play it at home, but not publicly. I would also be not permitted to copy this CD (the right to reproduce is 'reserved' by the artist or the recording studio etc). According to copyright law (sect 109A Copyright Act 1968), however, I CAN (no matter what the recording studio says) rip the CD to my computer (thus converting it from PCM to MP3), and transferring it to my iPod.
Furthermore, despite the restrictions described by the licence (for example, not being allowed to make 100 copies to give to my friends), there is nothing physically stopping me from doing it.
This is content without DRM. The licence and the law say you can and can't do certain things. Physically, though, (whether legally or illegally) I can do anything I want with it.
Enter DRM:
For example, say I buy a song from iTunes, and the licence to that song says that I (the licensee) can:
* play this song on 5 authorised computers, and
* play this on iPods registered to me
* burn this song to CD 3 times.
Once I burn the song onto CD 3 times, it will no longer burn to another CD. iTunes will recognise what's already happened to the song and prevent the burning. Furthermore, if I email the M4A song file to a friend, he won't be able to play the song (which MUST be iTunes) until he enters my username and password, thus authorising his computer in my name. Again, the file itself, in combination with the player (iTunes) actually physically control what I can do with the file. That is, the DRM technology physically limits which I can do in accordance with the licence.
In this sense, the licence and the law say what I can and can't do, and the DRM controls what I can and can't do in accordance with the licence (even if the law says I might be allowed to do something else beyond the licence permissions).
My question is, why bother with DRM? Isn't the law and licensing enough to protect the interests of copyright holders? Aren't all consumers law abiding citizens? Okay, maybe not. In acknowledging and conceding that THE LAW AND LICENCE IS NOT ENOUGH to guide the behaviour of some consumers (i.e. the 'pirates' argh), copyright holders implement measures (DRM) to physically (rather than legally) 'guide' the behaviour of those consumers.
DRM measures are now protected by law. Section 116AN will treat someone who circumvents a technological protection measure (TPM, the legal, generic reference to DRM) as if they had infringed the copyright holder's rights (e.g. copying etc).
But my question is, why bother protecting DRM with law? Law and licence doesn't guide the behaviour of pirates. That's why we have DRM in the first place. So it seems logical to assume that pirates aren't going to have regard to the law when it comes to circumventing a TPM. If an iTunes song holder wants to burn a 4th CD of the song, they'll just rip one of the CD's they burnt before. Burnt CD's are DRM free (just like the ones from JB Hi-Fi).
So why have a legal regime (s116AN/TPMs) designed to protect a technological regime (DRM) designed to protect another legal regime (copyright licenses and statutory exceptions), when pirates don't respect the copyright licencing regime in the first place?
This seems silly to me, and this is without even considering the fact that DRM has the potential to:
* stifle innovation
* restrict competition (iTunes and iPod are dominant for more reasons than the style of the iPod)
* prevent a consumer from exercising their extra-licence fair use/dealing statutory rights.
What are your thoughts? It seems to me that the marketplace is in need of another regime to protect the rights of copyright holders, without making life supremely difficult for everyone else (whilst at the same time undermining the respect people have for the law)**.
** According to the Australian Copyright Councils Information Sheet G25 TV and Radio: home taping ("time-shifting"):
Q: Can I record programs that I'm watching or listening to so that I can enjoy them again later?
A: NO, You can only record programs that you are NOT watching or listening to. This is because the new time-shift provision says that you can only make the recording in order to watch it or listen to it "at a time more convenient than the time when the broadcast is made" Section 111.
I wonder what happens if I decide to record NCIS tonight on tape, and instead of changing channels or going to bed, I decide to watch the first 5 minutes while it's recording and then go to bed. Uh oh....
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